Monotype Imaging C
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Calisto® C Monotype Imaging The appeal of Calisto as a text face lies in its very even color on the page, while its robust construction means that it can work equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions give Calisto a clean elegance on the page. The Calisto font is a graceful and interesting addition to the typographer's repertoire and will prove particularly useful for book, magazine and advertising work. Review this product |
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Calisto® Bold C Monotype Imaging The appeal of Calisto as a text face lies in its very even color on the page, while its robust construction means that it can work equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions give Calisto a clean elegance on the page. The Calisto font is a graceful and interesting addition to the typographer's repertoire and will prove particularly useful for book, magazine and advertising work. Review this product |
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Calisto® Bold Italic C Monotype Imaging The appeal of Calisto as a text face lies in its very even color on the page, while its robust construction means that it can work equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions give Calisto a clean elegance on the page. The Calisto font is a graceful and interesting addition to the typographer's repertoire and will prove particularly useful for book, magazine and advertising work. Review this product |
€25.99 |
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Calisto® Italic C Monotype Imaging The appeal of Calisto as a text face lies in its very even color on the page, while its robust construction means that it can work equally well at display sizes. The slightly calligraphic treatment of letter shapes and the classical proportions give Calisto a clean elegance on the page. The Calisto font is a graceful and interesting addition to the typographer's repertoire and will prove particularly useful for book, magazine and advertising work. Review this product |
€25.99 |
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Calligraphica Italic Package C Monotype Imaging Like many of Arthur Baker’s latter designs, Calligraphica has detailed features for genuine usefulness: subtle weight changes and varying body heights, with choices of long and short ascenders and descenders for close-fitting text as well as display application. As the name suggests, the Calligraphica font is calligraphic in origin, with unmistakable pen and brush construction. The hand of the designer is always in evidence spontaneous but disciplined. Calligraphica is a split-nib pen face with spontaneous rough edges retained in regular and italic. Review this product |
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Calligraphica Package C Monotype Imaging Like many of Arthur Baker’s latter designs, Calligraphica has detailed features for genuine usefulness: subtle weight changes and varying body heights, with choices of long and short ascenders and descenders for close-fitting text as well as display application. As the name suggests, the Calligraphica font is calligraphic in origin, with unmistakable pen and brush construction. The hand of the designer is always in evidence spontaneous but disciplined. Calligraphica is a split-nib pen face with spontaneous rough edges retained in regular and italic. Review this product |
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Calvert™ C Monotype Imaging The basis for Calvert – a slab serif typeface – was the design (by Margaret Calvert) used on the signage for the Tyne and Wear Metro in England. The designer, in conjunction with the Monotype Type Drawing Office, adapted Calvert for use as a text typeface. Calvert is a modern re-working of the slab serif Egyptians that were so popular during the 1930s. Calvert has a vitality and elegance that is lacking in many of the earlier, more mechanical, slab serif designs. Use the Calvert font in magazines, manuals etc. and for display work in newspapers, advertising and circulars. Review this product |
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Calvert™ Bold C Monotype Imaging The basis for Calvert – a slab serif typeface – was the design (by Margaret Calvert) used on the signage for the Tyne and Wear Metro in England. The designer, in conjunction with the Monotype Type Drawing Office, adapted Calvert for use as a text typeface. Calvert is a modern re-working of the slab serif Egyptians that were so popular during the 1930s. Calvert has a vitality and elegance that is lacking in many of the earlier, more mechanical, slab serif designs. Use the Calvert font in magazines, manuals etc. and for display work in newspapers, advertising and circulars. Review this product |
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Calvert™ Light C Monotype Imaging The basis for Calvert – a slab serif typeface – was the design (by Margaret Calvert) used on the signage for the Tyne and Wear Metro in England. The designer, in conjunction with the Monotype Type Drawing Office, adapted Calvert for use as a text typeface. Calvert is a modern re-working of the slab serif Egyptians that were so popular during the 1930s. Calvert has a vitality and elegance that is lacking in many of the earlier, more mechanical, slab serif designs. Use the Calvert font in magazines, manuals etc. and for display work in newspapers, advertising and circulars. Review this product |
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Candid C Monotype Imaging Download the Candid font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
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Cantoria® C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Bold C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Bold Italic C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Extrabold C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Extrabold Italic C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Italic C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
€25.99 |
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Cantoria® Light C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Light Italic C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Semibold C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Cantoria® Semibold Italic C Monotype Imaging Cantoria was based on a design by Thomas M Cleland, for Lanston Monotype 1902, called Della Robbia. This, in turn was based on rubbings of stone-cut capitals seen by the designer in Rome. In style, Cantoria is like a lineal (sans serif) but with short, tapered serifs. The open nature and the wide range of weights, make the Cantoria font family ideal for advertising and magazine work. Review this product |
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Capone Light C Monotype Imaging Capone Light is a display face with Avant Garde lines. The Capone Light font is a striking, yet simple face for headlines and posters. Review this product |
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Carl Beck C Monotype Imaging Cartographer Carl Beckman was appalled by the low standard of lettering in Sweden during the 18th century. He published an instruction and pattern book with four different letter forms in Stockholm 1794. The Carl Beck font is based on his Cursiv Skriften no. 1. Review this product |
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Carmine Tango C Monotype Imaging Carmine Tango is an elegant script based on a 1934 design by Lucian Bernhard. The Carmine Tango font is a good script for many situations, including invitations, menus and brochures. Review this product |
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Cartier C Monotype Imaging Cartier was designed by Carl Dair and released in 1969 for the Montreal Trade Fair. Cartier has good balance with an unusual angularity to its counters. The curved characters of the Cartier font family show similarities to linocut letters; instead of one smooth flowing stroke, the curves are drawn in two stages. Cartier Italic also has a punchy angularity. Review this product |
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Cartier Italic C Monotype Imaging Cartier was designed by Carl Dair and released in 1969 for the Montreal Trade Fair. Cartier has good balance with an unusual angularity to its counters. The curved characters of the Cartier font family show similarities to linocut letters; instead of one smooth flowing stroke, the curves are drawn in two stages. Cartier Italic also has a punchy angularity. Review this product |
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Cartographer C Monotype Imaging Download the Cartographer font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
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Caslon Titling C Monotype Imaging Monotype Caslon Titling was made available for hot metal casting in 1932. The capital Monotype Caslon Titling letters were based on types from the Stephenson Blake Foundry, previously the Caslon Foundry. Originally designed by William Caslon in the eighteenth century, Caslon is considered an old face although it has characteristics which were later found in the transitional typefaces. The Monotype Caslon Titling font has a distinctive style, generous width and strong color, ideal for use in advertising, magazines and on book jackets. Review this product |
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Castellar® C Monotype Imaging Castellar is an all-capital display typeface designed by John Peters in 1957. Castellar is based on the inscriptions on a Roman column dedicated to Emperor Augustus. The incised quality of Castellar is recreated in the shading on the thick strokes. Castellar is a worthy font choice for titling and headlines. Review this product |
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Catastrophe C Monotype Imaging The Catastrophe font from Judith Sutcliffe is an original creation. Catastrophe shows Sutcliffe’s historical and calligraphic inspirations with simultaneous whimsy and creative balance. Review this product |
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Category Fat C Monotype Imaging Download the Category Fat font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
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Category Tall C Monotype Imaging Download the Category Tall font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
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Celebrate C Monotype Imaging Download the Celebrate font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
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Centaur® C Monotype Imaging Download the Centaur® font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
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Centaur® Bold C Monotype Imaging Download the Centaur® Bold font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
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Centaur® Bold Expert Package C Monotype Imaging The Centaur Bold Expert font contains a suite of expert characters to complement the Centaur family. The Centaur font family is ideal for setting text in prestigious works and for display and headlines where the beauty of the letter forms can be appreciated. Centaur roman must stand as one of the finest typefaces to have been derived from the fifteenth century letter of Nicolas Jenson. Like Jenson's roman, it owes much to the pen drawn letter, particularly in the lowercase. Centaur italic, matching the roman in elegance, was designed by Frederic Warde, based on a sixteenth century typeface of Ludovico degli Arrighi. Like Jenson’s roman, it owes much to the pen-drawn letter, particularly in the lowercase. The Centaur font family was expanded with the Centaur swash capital fonts were designed at Monotype by Patricia Saunders and Robin Nicholas, inspired by three characters drawn by Frederic Warde but never used as a basis for type. Review this product |
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