BANNER IN ALTO A DESTRA

Itc International Typeface Corp B

Itc International Typeface Corp B 1 to 35 of 44 First | Previous | 1 | 2 | Next | Last
Magnify Balmoral
Balmoral
Balmoral
B
Itc International Typeface Corp
An elegant, free-flowing copperplate script style designed by renowned British designer Martin Wait. Generous initial capitals complement the more restrained lower case letters that join for balanced letter spacing in word settings. Excellent for certificates, citations, diplomas and greeting card applications.
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Magnify Banco™ Heavy
Banco™ Heavy
Banco™ Heavy
B
Itc International Typeface Corp
Banco was the first of French designer Roger Excoffon's types released by the Fonderie Olive in 1952. Often compared to Neuland, the strong forms of Banco look not so much carved out of wood but rolled out of sheet metal. The tapering strokes of Banco are all very upright, like a series of abrupt downstrokes made with a precise, sharp-edged, perfectly defined brush. The shapes of the counters are suggested by the placement of the curves and straight lines, many of which do not actually touch. The slight slant of all the letters, the varying heights of the upper ends of strokes, and the subtle interplay of taper and curve give Banco a distinct up-and-to-the-right motion. Like almost all of Excoffon's typefaces, Banco has the effect of being quickly sketched by a forceful hand. Unlike Mistral and Choc, however, Banco was originally an all-caps typeface; Excoffon made no attempt to design a lowercase. In designing Banco Light for text settings, Phill Grimshaw's first task was to create a lowercase alphabet. He then decided that he would also try a lowercase for the original weight as well. Using the existing caps as a clean, positive model on which to base an interpreted lowercase, Grimshaw deliberately under-designed the lowercase, in order to produce a consistent 'color,' while maintaining the simple letterforms evident in the original. In creating Banco Light, Grimshaw found that what preserved the characteristics of Banco best in a lighter weight was to make it quite narrow, almost condensed; this way he could keep the same angles between strokes that Excoffon had used in the original face.
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Magnify Banco™ Light
Banco™ Light
Banco™ Light
B
Itc International Typeface Corp
Banco was the first of French designer Roger Excoffon's types released by the Fonderie Olive in 1952. Often compared to Neuland, the strong forms of Banco look not so much carved out of wood but rolled out of sheet metal. The tapering strokes of Banco are all very upright, like a series of abrupt downstrokes made with a precise, sharp-edged, perfectly defined brush. The shapes of the counters are suggested by the placement of the curves and straight lines, many of which do not actually touch. The slight slant of all the letters, the varying heights of the upper ends of strokes, and the subtle interplay of taper and curve give Banco a distinct up-and-to-the-right motion. Like almost all of Excoffon's typefaces, Banco has the effect of being quickly sketched by a forceful hand. Unlike Mistral and Choc, however, Banco was originally an all-caps typeface; Excoffon made no attempt to design a lowercase. In designing Banco Light for text settings, Phill Grimshaw's first task was to create a lowercase alphabet. He then decided that he would also try a lowercase for the original weight as well. Using the existing caps as a clean, positive model on which to base an interpreted lowercase, Grimshaw deliberately under-designed the lowercase, in order to produce a consistent 'color,' while maintaining the simple letterforms evident in the original. In creating Banco Light, Grimshaw found that what preserved the characteristics of Banco best in a lighter weight was to make it quite narrow, almost condensed; this way he could keep the same angles between strokes that Excoffon had used in the original face.
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Magnify Bang
Bang
Bang
B
Itc International Typeface Corp
Bang! This sparkly new display typeface was created by New York designer David Sagorski and was inspired by the works of 20th century painter Joan Miro. Two sets of capitals are included for design flexibility; one set features extravagant swashes, the other is more subdued. Both will start the fireworks for the latest generation of fresh, young headlines.
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Magnify Banner
Banner
Banner
B
Itc International Typeface Corp
The appeal of Banner’s airy, open display brush style is intensified by a shadow effect that is more pronounced when letters are closely set. Capitals are intended for initialing purposes only. This exuberant style lends itself to a wide variety of advertising applications.
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Magnify Becka Script
Becka Script
Becka Script
B
Itc International Typeface Corp
A wide casual typeface based on a refined brush stroke style makes this font suitable for a wide variety of large display work. For maximum visual impact, Becka Script should be closely letter and word spaced.
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Magnify Belwe Bold
Belwe Bold
Belwe Bold
B
Itc International Typeface Corp
Belwe has some Art Nouveau qualities that provide an unusual elegance. It was originally designed by Georg Belwe in Germany and was first produced as metal type in 1926 by Schelter and Giesecke. Belwe has short ascenders and very short descenders. In M, the middle strokes stop halfway. Capital P and R have deep bowls and U reflects the lowercase design. Belwe has a quirky European look with an idiosyncratic V and Y. Lowercase g has an amusing tail. The Belwe font is ideal for setting copy relating to a specific period.
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Magnify Belwe Bold Condensed
Belwe Bold Condensed
Belwe Bold Condensed
B
Itc International Typeface Corp
Belwe has some Art Nouveau qualities that provide an unusual elegance. It was originally designed by Georg Belwe in Germany and was first produced as metal type in 1926 by Schelter and Giesecke. Belwe has short ascenders and very short descenders. In M, the middle strokes stop halfway. Capital P and R have deep bowls and U reflects the lowercase design. Belwe has a quirky European look with an idiosyncratic V and Y. Lowercase g has an amusing tail. The Belwe font is ideal for setting copy relating to a specific period.
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Magnify Belwe Italic
Belwe Italic
Belwe Italic
B
Itc International Typeface Corp
Download the Belwe Italic font for Mac or Windows in OpenType, TrueType or PostScript format.
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  €25.99
 
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Magnify Belwe Light
Belwe Light
Belwe Light
B
Itc International Typeface Corp
Belwe has some Art Nouveau qualities that provide an unusual elegance. It was originally designed by Georg Belwe in Germany and was first produced as metal type in 1926 by Schelter and Giesecke. Belwe has short ascenders and very short descenders. In M, the middle strokes stop halfway. Capital P and R have deep bowls and U reflects the lowercase design. Belwe has a quirky European look with an idiosyncratic V and Y. Lowercase g has an amusing tail. The Belwe font is ideal for setting copy relating to a specific period.
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Magnify Belwe Medium
Belwe Medium
Belwe Medium
B
Itc International Typeface Corp
Belwe has some Art Nouveau qualities that provide an unusual elegance. It was originally designed by Georg Belwe in Germany and was first produced as metal type in 1926 by Schelter and Giesecke. Belwe has short ascenders and very short descenders. In M, the middle strokes stop halfway. Capital P and R have deep bowls and U reflects the lowercase design. Belwe has a quirky European look with an idiosyncratic V and Y. Lowercase g has an amusing tail. The Belwe font is ideal for setting copy relating to a specific period.
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Magnify Belwe Mono
Belwe Mono
Belwe Mono
B
Itc International Typeface Corp
This slab serif Egyptian style is based on the popular Letraset Belwe series. The contemporary monolineal treatment of its letters makes it suitable for almost any headline requirement.
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Magnify Belwe Mono Italic
Belwe Mono Italic
Belwe Mono Italic
B
Itc International Typeface Corp
Accomplished British designer Alan Meeks created Belwe Mono Italic to closely follow the original Letraset Belwe Italic. The modern, monolineal design of its letters make it suitable for use on its own, or in combination with Belwe Mono for almost any headline requirement.
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Magnify Bendigo
Bendigo
Bendigo
B
Itc International Typeface Corp
Bendigo steals the scene with all the wild beauty and raw power of an Indian tiger! Its bold, dry brush style makes it a great choice for titles and headlines that need to command attention with a roar. For best results, initialing capitals should be closely spaced with the lowercase.
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Magnify Bergell
Bergell
Bergell
B
Itc International Typeface Corp
The work of Alberto Giacometti inspired this spontaneous, calligraphic style created by German designer Thomas Finke. Although somewhat abstract, this typeface is highly legible and benefits from generous letter spacing. Will enhance any work where an elegant, artistic appearance is desired.
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Magnify Bertie
Bertie
Bertie
B
Itc International Typeface Corp
British designer Alan Meeks incorporated an unusual internal pattern into this Bodoni style letterform. The result is a reserved, 1930’s appearance. Bertie is an excellent choice for a variety of subjects where word settings in larger display sizes are required.
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Magnify Bertram
Bertram
Bertram
B
Itc International Typeface Corp
Named for the famous Bertram Mills Circus, this typeface has widespread appeal and is especially effective when a jovial, light-hearted look is desired. Invented by British designer Martin Wait who was inspired by the casual lettering of circus graphics.
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Magnify Bible Script Package
Bible Script Package
Bible Script Package
B
Itc International Typeface Corp
Download the Bible Script Package font for Mac or Windows in OpenType, TrueType or PostScript format.
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  €25.99
 
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Magnify Bickley Script
Bickley Script
Bickley Script
B
Itc International Typeface Corp
This elegant, semi-informal script style recreates a copperplate form of handwriting. The capitals are for initialing and offer a flowing complement to the lowercase letters which join to simulate handwriting. An asset to any work requiring such a light, refined effect.
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Magnify Bitmax
Bitmax
Bitmax
B
Itc International Typeface Corp
British designer Alan Birch was inspired by the way type looks on fax transmissions when he created Bitmax. He began with Helvetica Medium and worked through a process of controlled distortions to create this commanding, high-tech style. Bitmax looks best when used in large display sizes for a limited number of words.
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Magnify Blackmoor
Blackmoor
Blackmoor
B
Itc International Typeface Corp
Based on an old English letter style, Blackmoor richly evokes all the character of medieval times. Its rough, distressed features make it an excellent choice for a variety of applications from serious historical publications to horror movies and comics.
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Magnify Bluntz
Bluntz
Bluntz
B
Itc International Typeface Corp
American artist David Sagorski was influenced by the crisp, energetic look of graffiti when he designed this dramatic, all capital font. The angular, decisive nature of the letterforms reflects the visual power and immediacy of “off the street” art. Street-smart Bluntz has been refined to a condensed italic typeface that will deliver stand out headlines with a 90s edge.
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Magnify Boink
Boink
Boink
B
Itc International Typeface Corp
Boink’s bold, casual features make it a great choice for a broad range of headlines. The bouncy, all capital letterforms are bound to grab attention wherever strong, exuberant headlines are needed. Designed by New York based lettering designer, Robert Petrick.
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Magnify Bordeaux Display
Bordeaux Display
Bordeaux Display
B
Itc International Typeface Corp
British designer David Quay created Bordeaux Display in 1987 to complement his immensely popular Bordeaux Roman. The fine line casing on the right side of each letter creates a stunning three-dimensional effect that does not detract from the elegance of the original. Handsome on its own, or in combination with any other typeface in the Bordeaux range.
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Magnify Bordeaux Italic
Bordeaux Italic
Bordeaux Italic
B
Itc International Typeface Corp
An ultra-condensed typeface created to complement the elegant Bordeaux Roman that it matches in both style and weight. An ideal choice when a combination of italic and upright letters in headlines is desired.
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Magnify Bordeaux Roman
Bordeaux Roman
Bordeaux Roman
B
Itc International Typeface Corp
This condensed, modern roman style exudes feminine elegance and will enhance any piece of work requiring a tall, slender effect.
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Magnify Bordeaux Roman Bold
Bordeaux Roman Bold
Bordeaux Roman Bold
B
Itc International Typeface Corp
This bold weight typeface is based on the highly popular Bordeaux Roman and provides a little more punch for various uses. Although bold, the characters still retain a slender elegance that makes the face so appealing and popular. Bordeaux Roman Bold looks great set either tight or open.
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Magnify Bordeaux Script
Bordeaux Script
Bordeaux Script
B
Itc International Typeface Corp
The proportion and weight of Bordeaux Roman and Italic have been retained by this beautiful script version so that the whole series may be used together if desired. This typeface may also be used alone where the initial capitals offer a free-flowing complement to the lowercase.
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Magnify Brighton Bold
Brighton Bold
Brighton Bold
B
Itc International Typeface Corp
The charm of the Brighton series lies in the simple letterform construction that makes it suitable for nearly any typographic requirement. A feeling of warmth within the design has been achieved through the use of soft terminals.
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Magnify Brighton Light
Brighton Light
Brighton Light
B
Itc International Typeface Corp
The charm of the Brighton series lies in the simple letterform construction that makes it suitable for nearly any typographic requirement. A feeling of warmth within the design has been achieved through the use of soft terminals.
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Magnify Brighton Medium
Brighton Medium
Brighton Medium
B
Itc International Typeface Corp
The charm of the Brighton series lies in the simple letterform construction that makes it suitable for nearly any typographic requirement. A feeling of warmth within the design has been achieved through the use of soft terminals.
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Magnify Bronx
Bronx
Bronx
B
Itc International Typeface Corp
A contemporary, highly stylized script style that captures the effect of a quickly rendered brush letter. The capitals are intended only for initialing purposes, but may be joined with the lower-case letters, which can be linked together. Bronx has great potential for use in work associated with the fashion industry.
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Magnify Burlington
Burlington
Burlington
B
Itc International Typeface Corp
This stately modern roman face was designed by eminent English lettering artist Alan Meeks. It evokes a 1940’s style with its strong upright characters emphasized by the half-solid, half-open feature throughout. This regal typeface benefits from wide letter spacing.
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Magnify Buzzer Three
Buzzer Three
Buzzer Three
B
Itc International Typeface Corp
Due to the advent of multi-media and on-screen graphic design, OCR (Optical Character Recognition) fonts are enjoying a major resurgence. Buzzer 3, with its strong futuristic appearance, is very much in the OCR style. However, it contains many interesting design characteristics that separate it from the more predictable geometric styles in this popular category.
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Magnify Boink Drop Shadow
Boink Drop Shadow
Boink Drop Shadow
B
Itc International Typeface Corp
Download the Boink Drop Shadow font for Mac or Windows in OpenType, TrueType or PostScript format.
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  €29.00
 
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