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American Spirit Aef A Altered Ego Download the American Spirit AEF font for Mac or Windows in OpenType, TrueType or PostScript format. Review this product |
30.00 |
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Acolyte A Altered Ego An elegantly refined typeface with a subtle wedge serif, the character shapes of Acolyte AEF set a rhythm of light and dark like windows in a cathedral. Standing tall (as in condensed!) and respectful, Acolyte AEF is aptly named as a companion to any design, packaging and advertising. Acolyte will illuminate your designs with a display typeface reminiscent of European 20th century letterforms. Its distinctive letterforms are slightly chiseled and angular with curves in just the right places. Wrapped in an aura of mystery, Acolyte’s origins are from condensed typefaces, with an understated gothic feel. Available for Macintosh and Windows, and in Postscript and TrueType formats, Acolyte AEF will set an edgy tone for all of your design needs. Complete with an Adobe-standard character set, this font also includes the Euro and is cross-platform compatible. Review this product |
45.00 |
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Aef Verve Black A Altered Ego A single weight of the Verve AEF font. All weights of Verve feature a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
45.00 |
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Aef Verve Bold A Altered Ego A single weight of the Verve AEF font. All weights of Verve feature a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
45.00 |
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Aef Verve Extrablack A Altered Ego A single weight of the Verve AEF font. All weights of Verve feature a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
45.00 |
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Aef Verve Extralight A Altered Ego A single weight of the Verve AEF font. All weights of Verve feature a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
45.00 |
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Aef Verve Light A Altered Ego A single weight of the Verve AEF font. All weights of Verve feature a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
45.00 |
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Aef Verve Regular A Altered Ego A single weight of the Verve AEF font. All weights of Verve feature a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
45.00 |
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Aef Verve Semibold A Altered Ego A single weight of the Verve AEF font. All weights of Verve feature a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
45.00 |
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Aef Verve Complete Family Pack A Altered Ego Called by some the Archetype of the millennium, Verve is a seven-weight typeface family. It features a complete Adobe character set with kerning and fit to match. The alternate characters offer some variations on s,f,h,j,k,S,T,Y and others, plus this font has the Euro symbol. Verve is the fourth in an on-going series of condensed typefaces that I’ve been designing since 1989. My concept was to create an elegant condensed typeface that would be a typeface for the millennium, in style and functionality. At the very core of all my designs is a typographic problem I wanted to solve. Verve addresses this without copying or borrowing from its predecessors. There’s the challenge of creating a rich and interesting typeface with an austerity of line and elegance of form. I’m a minimalist by nature but I wanted Verve to have a sensuous feel in certain respects yet have that sensuality balanced by the uniformity of the uniform character widths. Gottfried Pott always stresses theme and variation, and point and counterpoint, and that’s what I’m doing in Verve. What one finds in musical composition is evident in Verve. Perfect for book covers, CD packaging, club flyers, retail packaging (especially bottles!), identity design and multimedia. The adventurous can try it in text, but it will give you a headache. The beauty of Verve is in the size and weight variations which create a rich typographic texture in this font. Review this product |
140.00 |
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